A Midsummer Night's Dream
2026
Director Graham Abbey
Set Designer Lorenzo Savoini
Costume Designer Joshua Quinlan
Lighting Designer Kevin Lamotte
Projection and Video Design Normal Studio
Composer and Sound Designer Thomas Ryder Payne
Movement Director Stephanie Graham
Fight and Intimacy Director Anita Nittoly
Executive Producer David Auster
Creative Planning Director Jason Miller
Casting Director Ari Weinberg
In the weeks leading up to seeing this production, I reread The Pelican Classic edition of the play. Often the kids and I will watch a previous production either filmed from stage or movie, but time did not work for that. My youngest 15 went in fairly blind. My Son had read part of it, and I have read it a few times over the last 40 years, and seen a few productions over the years. It is to be honest not one my favourite plays by the bard. I am not a big fan of comedies either on film or stage, usually, there are some exceptions like Something Rotten which my son and I loved 2 years ago and are looking forward to seeing again this year. So this ended as one of the 5 plays we picked over the season because my son 18 and daughter 15 both really wanted to see it. If I had been going by myself I would not have picked this one, but I am very thankful we attended. And we attended the first public performance of the preseason.
Over the last few years my children and I have been attending Stratford and reviewing all the plays we attend. We have a great appreciation for the bard, and typically attend all plays of his works, and usually a few others as well. Prior to attending my son and I try and read a copy of the play, usually the Oxford School Shakespeare or the Pelican Classic Editions. I believe the festival has put on A Midsummer Night's Dream 9 times, the first being in 1962 and this season 2026. Antoni Cimolino directed a version in 2018 thought it does not appear to be one that was filmed. Antoni Cimolino is in his final season as artistic director and he selected plays based on his favourites from his tenure at the festival. It would have been interesting to compare the 2018 version with this one directed by Graham Abbey.
The summary of the play on the festival site states:
“Magic, mischief and moonlight
Strange things happen in the woods by night, with neither spirit nor mortal safe from the wiles of the trickster Puck. For mismatched lovers, romance runs delightfully amok, but true love triumphs at dawn.”
The synopsis in the house program states:
“Hermia and Lysander are devoted to one another, but her father forbids their marriage and insists she wed Demetrius, with whom Hermia’s best friend Helena is besotted. Hoping to escape her father’s demands, Hermia and Lysander flee into the forest, with Demetrius and a determined Helena close behind. There, Oberon, king of the fairies, sets an enchantment on his queen, Titania – and, through the meddling of Puck, Oberon’s jester, the four lovers are unwittingly ensnared in the magic’s confusion. Meanwhile, Puck tangles with a troupe of amateur actors, heightening the night’s mischief. As night deepens, identities blur, lovers quarrel, fairies and mortals intermingle, and the boundaries between dream and reality dissolve. What resolution will the dawn bring?”
When we go and see the play in person we have an almost an hour drive home, and usually spend the time discussing the performance. I could hardly get a word in as they both loved the production so much. One of the things we talk about is our favourite performers. It was a very heated discussion this time. We each pick our top 5. Our picks are:
My top ranking for the performers would be:
Mike Nadajewski as Puck
Jessica B. Hill as Helena
Sara Topham as Titania
Jordin Hall as Lysander
Vivien Endicott-Douglas as Hermia
My son's (18) top picks are:
Mike Nadajewski as Puck
Jordin Hall as Lysander
André Sills as Oberon
Sara Topham as Titania
Tim Campbell as Egeus
My daughters (15) were:
Mike Nadajewski as Puck
Sara Topham as Titania
Jessica B. Hill as Helena
Michael Man as Robin Starveling especially as the Moon
Jordin Hall as Lysander
The full cast is:
The Courtiers:
Theseus - Evan Buliung
Hippolyta - Ijeoma Emesowum
Hermia - Vivien Endicott-Douglas
Helena - Jessica B. Hill
Lysander - Jordin Hall
Demetrius - Thomas Duplessie
Egeus - Tim Campbell
Philostrate - Rylan Wilkie
Philostrate’s Associate - Richard Lee
The Fairies:
Oberon - André Sills
Titania - Sara Topham
Puck - Mike Nadajewski
Fairies In Titania’s Court
First Fairy (Viola) - Laura Condlln
Nightingale (Violin/Mandolin) - Dominique Leblanc
Peaseblossom - Davinder Malhi
Cobweb - Anthony Palermo
Moth - Silvae Mercedes
Mustardseed - Tarique Lewis
The Votaress - Sara-Jeanne Hosie
Fairies In Oberon’s Court:
Brimstone - Heidi Damayo
Limestone - Derek Kwan
Burdock - Richard Lee
Twig - Angel Lo
Changeling Children:
Rose Petal - Vivienne Abbey
Daisy - Alexandra Krohn
The Mechanicals
Nick Bottom - Michael Spencer-Davis
Rita Quince - Sarah Dodd
Francis Flute - Aaron Krohn
Snout - Sara-Jeanne Hosie
Snug - Steven Hao
Robin Starveling (Piano) - Michael Man
Understudies:
Hippolyta - Laura Condlln
Hermia - Heidi Damayo
Titania - Ijeoma Emesowum
Francis Flute - Steven Hao
Rita Quince - Sara-Jeanne Hosie
Theseus, Snug - Derek Kwan
Oberon, Philostrate’s Associate - Cyrus Lane
First Fairy Music - Dominique Leblanc
Egeus - Richard Lee
Demetrius, - Robin Starveling
Tarique Lewis
Cobweb, Moth, Mustardseed, Peaseblossom, First Fairy - Angel Lo
Lysander - Davinder Malhi
Helena, Snout, The Votaress - Silvae Mercedes
Puck, Philostrate - Anthony Palermo
Nick Bottom - Rylan Wilkie
This was another great production. We attended the first public performance, and were amazed by the play. It is visually fascinating, the moon almost becomes a character in the play. The use of lighting and projecting on the moon is incredible. The set is almost minimalistic, often empty, a large tree and a large stone at times. The flow in and out of the cast as they transition from court, to words, to fairy and back is wonderfully executed. And the fairies in both courts are excellent. Puck is outstanding. Particularly his interactions with the audience, in the prior to the start or the play announcement, and the post intermission interactions from the stage. The costumes are great. My daughter loved many of the dresses and wanted many of them.
My kids and I often keep an eye out for the filming taking place at Stratford, and would go back to see this again for the filming without hesitation. I am incredibly thankful my children have discovered a love for theatre, and for the amazing productions at Stratford. As mentioned earlier I am not typically a fan of this play, but this production was so well put together I did greatly enjoy it. And my kids absolutely loved it! It is an excellent production. I highly recommend it, if you have the chance go this season, and if not maybe on Stratford@Home or other streaming in the future!
Note: Photos by David Hou/Stratford Festival or our own.
Reviews of Other Stratford Productions:
Richard III – 2022
Hamlet – 2022
The Miser – 2022
King Lear – 2023
Frankenstein Revived – 2023
Grand Magic – 2023
A Wrinkle in Time – 2023
Goblin MacBeth - 2023
Something Rotten – 2024
Romeo & Juliette – 2024
Cymbeline – 2024
Twelfth Night – 2024
As You Like It - 2025
The Winter's Tale - 2025
Annie - 2025
Anne of Green Gables - 2025
Goblin Oedipus - 2025
The Tempest - 2026
Something Rotten – 2026
A Midsummer's Night Dream - 2026
Othello - 2026
Saturday, Sunday, Monday - 2026
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Reviews of Shakespeare Movies:
Cymbeline – 2014
Related Posts:
Books by Ted Neill:
Post Apocalyptic Space Shakespeare Series:
Othello
Twelfth Night
As You Like It
A Mid Summers’s Night Dream
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