Monday, 1 June 2026

Mission to Love: 30 Days with Óscar Romero - Todd Walatka - Great Spiritual Teachers

Mission to Love: 30 Days with Óscar Romero  
Great Spiritual Teachers
Todd Walatka
John J. Kirvan (Series Editor)
ISBN 9781646804542
eISBN 9781646804559
ASIN B0GP928MRZ

Mission to Love: 30 Days with Óscar Romero - Todd Walatka - Great Spiritual Teachers

This is the eighteenth volume in the Great Spiritual Teachers series I have read, it is also the most recent, published in 2026. Two Years ago I read my first book in the series, it was Born to Do This: 30 Days with Joan of Arc by Jaymie Stuart Wolfe, and loved it and the concept of the series. I have read one almost every month since that first one, and if I can track down all the out of print, will do so until I finish all 24 released to date in the series. This one jumped to the top of my list as soon as it released. First it was an eBook, which with my dyslexia is easier to read. Second was the subject Óscar Romero. 

The description of this volume states:

“Most know St. Óscar Romero as the courageous archbishop of El Salvador who spoke out for the poor and oppressed, ultimately giving his life as a martyr for justice. Yet Romero was also a man of profound prayer and contemplation whose intimate relationship with Christ shaped every act of his advocacy and care for the people of El Salvador.

Mission to Love offers a thirty-day retreat drawn from Romero's homilies, with daily readings, brief prayers, and evening reflections designed to draw you into God's presence. Each day invites you to walk alongside Romero, encountering the Gospel demands that shaped his courage and compassion, and meeting Christ in all people-- especially the poor and marginalized.

Through this retreat, you will discover Romero's vision of authentic Christian life and the radical call to carry out a true mission of love in a world marked by suffering. This was the call that inspired so many and ultimately cost him his life. Today, it remains a prophetic message our Church and world urgently need.

Part of the Great Spiritual Teachers series, this book provides a month of daily readings from one of the Catholic Church's most beloved spiritual guides--perfect for anyone seeking to ground their spiritual life in prayer, reflection, and the enduring wisdom of the saints.”

About the series we are informed:

“Each book in the Great Spiritual Teachers series provides a month of daily readings from one of Christianity's most beloved spiritual guides. For each day there is a brief and accessible morning meditation drawn from the mystic's writings, a simple mantra for use throughout the day, and a night prayer to focus one's thoughts as the day ends. These easy-to-use books are the perfect prayer companion for busy people who want to root their spiritual practice in the solid ground of these great spiritual teachers.”

About the author and editors for this volume we are informed:

Todd Walatka is a teaching professor and the assistant chair for graduate studies in the Department of Theology at the University of Notre Dame, where he also chairs the Romero Studies Working Group at the Kellogg Institute.

He earned a doctorate in systematic theology from Notre Dame. His areas of specialization include post-Vatican II Catholic theology, Latin American theology, Catholic social teaching, and Christian spirituality.

Walatka is the author of Words of Life: The Preaching of St. Óscar Romero, an accessible introduction to the preaching of St. ÓscarRomero. He is also the editor of Óscar Romero and Catholic Social Teaching, which examines the life of Romero in light of contemporary work for justice and human development.

He lives with his wife and children in South Bend, Indiana.”

and:

John Kirvan (1932-2012) wrote primarily about classical spirituality. He conceived the 30 Days with a Great Spiritual Teacher series and edited most of its seventeen titles. Kirvan's other books include God Hunger, Silent Hope, Raw Faith, and There Is a God, There Is No God.”

and also:

Óscar Romero (August 15, 1917 - March 24, 1980) was the Archbishop of San Salvador and a courageous voice for the poor and oppressed in El Salvador. Amid rising violence and injustice, he spoke out against human rights abuses and defended the dignity of the vulnerable. He was assassinated while celebrating Mass, ultimately giving his life as a martyr for justice. He was later canonized as a saint, and his legacy continues to inspire people around the world.”

I believe there are 18 volumes in this series currently in print, but only 16 of those have digital editions. There are also a number that are currently out of print, The oldest I have seen are from the late 1980’s and it looks like they went through a rebranding and format change in the mid 00’s, and they have undergone yet another rebranding in the 2020’s including some new titles available in the series. 

I must admit I do not recall running across this series prior to that first volume on Joan. I have however added all of them to my ‘to be read list’. I love the all recent rebranding, and hope Ave Maria completes the rebranding across all volumes. I hope also that Ave Maria brings back into print some of the volumes currently not available; specifically the volumes on John of the Cross, Evelyn Underhill, Mother Theresa and others. This specific volume was released in 2026, making it the newest in the series. 

The sections in this volume are:

Timeline
Who is Óscar Romero?
How to Use This Book
Thirty Days with Óscar Romero
Notes
The Image of the Good Shepherd

One of the distinctions about this volume is that all of the excerpts are from Óscar Romero’s sermons and lists the date or dates the sermons were given. Five are from homilies for priest who had been killed, and one is from a speech while accepting an honorary degree.

While reading this I numerous passages, so many that I exceeded the 10% Ave Maria allowed for export, so some of them are:

“During Romero’s first period in San Salvador (1967–1973, with his ordination as auxiliary bishop in 1970), he was neither a strong supporter nor a fierce opponent of these movements for change. He had always had a heart for the poor and believed that the Church must respond to those in need. Yet he also worried that some groups—including certain priests—were becoming too radical, reducing the message of Jesus to one of politics and economics.”

“But Romero was already changing; he wasn’t going to be the meek leader they expected.”

“Over the next three years, Romero became a tireless advocate for all those trampled upon and marginalized by society. He spoke about politics and economics, but always as a pastor who simply wanted the Church to live out the message of Jesus.”

“Romero’s preaching became a national event. Broadcast over the radio each Sunday, his program became the country’s most popular one of the week.”

“As you read this book, you will encounter Romero’s vision of authentic Christian life—his vision of what it means to carry out a true mission of love in a world marked by so much violence and suffering. But more than that, you will encounter his prophetic call to live that life.”

“The books in the Great Spiritual Teachers series provide an introduction to the spiritual insights and wisdom of some of history’s most extraordinary saints. Through these pages, you’re invited to a place beyond mere reading, into an experience of daily prayer and meditation. You’ll be accompanied by a spiritual teacher whose wisdom will awaken, enrich, and empower your walk with the Lord.”

“I will never tire of proclaiming this word to you, brothers and sisters: conversion. . . . Conversion is like turning around and changing direction. . . . It means turning toward God and turning ever more fully toward God.”

“I also know that I can be self-centered, prideful, and demanding. I look around and do not truly see your beloved children. Instead, I see inconveniences or ways to get what I want. Help me to see the world as you see it. Help me to feel the infinite value and preciousness of every person I encounter, to know that to meet a human being is no ordinary thing. The cashier at the grocery store, a child walking to school, a nurse caring for a patient: Each is truly your wondrous work. And I, too, am your beloved.”

“Give me the grace to see the world as you do. Help me to accept your love and to know that I am your beautiful creation.”

“I see within myself a restlessness. I can be like a worker bee constantly buzzing about trying to maintain the hive and build a good life. This work is a necessary part of life, but it can distract me from you, Lord. Transform this tension into a holy restlessness, into a constant desire to love as you do.”

“Together, the service of Martha and the prayer of Mary fulfill our Christian call to holiness. As I think back through my day, was I more like Martha or Mary? Did I find the right balance, bringing these two together into a single life devoted to God?”

“Lord, give me wisdom to know where I need to grow. Help me to turn to you as my one center and source; help me to see the world in your light. Renew me to do your will in the world. Above all, increase my capacity to love.”

“Lord, thank you for the diversity of vocations in the Church. Thank you for the priests and bishops who serve you at the altar and preach the Gospel; thank you for the religious brothers and sisters who make vows to consecrate their lives to you. Remind me that I, too, have a vocation to preach the Gospel and consecrate myself to you. There are not higher and lower ways to serve you.”

“The best microphone of God is Christ, and the best microphone of Christ is the Church—and the Church is all of you.”

“Wherever you are, in your vocation as a religious sister, a married person, a bishop, a priest, a student, a university professor, a day laborer, a worker, a market vendor, wherever you are, you must intensely live your faith. In your place, be a true microphone of our Lord God.”

“We are all microphones of something. We eagerly share what brings us joy and delight; we often will complain to anyone who will listen. What did I share with others today? What did I announce with my words and deeds? What did I proclaim loudly for anyone around me to hear?”

“Christian faith is not ultimately a matter of having the best moral code; nor is it about having the most convincing philosophy; nor is it even about creating the most loving community. Christian faith is an encounter with Jesus Christ, and everything else flows from that.”

“The Gospel can be uncomfortable.”

“What would it look like for the Gospel to transform not just any country but my country? Not just any city but my city? Not just any family but my family? Not just any life but my life?”

“What would I want someone to share at my funeral? How do I want to be remembered? What would my friends and family recall with great joy and fondness? What would they say was the center and mission of my life? What did my life proclaim?”

“I am just one person, but, just like Grande and Romero, I am called to respond to the needs of the world around me. I am called to bring true hope and true mercy into this suffering world. My faith must be my foundation and inspiration. It must be translated into social action that responds to the dignity of those around me. And above all, my faith must be carried forth in love.”

“The Church’s vision of liberation is first of all inspired by faith. And this is who Fr. Rutilio Grande was: a priest, a Christian who, through his baptism and priestly ordination, made a profession of faith: I believe in God the Father, revealed to us by Christ his Son, who loves us and invites us to love. I believe in a Church that is a sign of the presence of God’s love in the world, where people reach out to one another and encounter one another as brothers and sisters.”

“I know you call me to action in this world, action to serve others and build up my society. But help me to keep my faith at the center. Even as I do my work like Martha, let me be grounded in you like Mary. And ultimately, help me to never be satisfied by anything other than the love you have given to me.”

“What we need is the authentic doctrine the Church offers to humanity. How illuminated our world would be if everyone grounded their social action, their entire existence, their concrete commitments, even their political views and economic dealings on the Church’s social teaching!”

“I can feel myself swept up by the fervor of those I agree with. But what comes first in my life and my vision for the world? Is it a political party or your Gospel? Am I a disciple of a worldly movement or a member of the Body of Christ? Help me to hear and heed your warning: “Whatever you did for one of these least brothers of mine, you did for me.” Help me to follow these words of yours above every earthly institution.”

“I am my brother’s keeper. I am my sister’s keeper.”

“I shudder to think of the number of times I have given you Cain’s answer: I am not my brother’s keeper. How many times have I simply walked past someone in need?”

“Lord, make you and your peace the deepest desire of my heart. Send me forth to be an instrument of your peace in my community and in your world.”

“Lord, help me to love others as they need to be loved.”

“With whom did I walk this day? Who did I accompany in the difficult journey of this life? With whom did I share your love, even with just my presence?”

“Help me to see all people as my brothers and sisters; help me to feel that all those around me are my family—even those who seem to reject you in everything they do.”

“Help me to find time to pray for my enemy—not just with empty words but with the piety of the saints. Give me the strength to truly long for each person to find your love and live in that love.”

“Let Christ the King, our Lord, shine his light into your homes, your workplaces, your farms, your businesses, your shops, and all your daily labor.”

“Lord, you call me to conversion every day, and your love is always here in my midst. Help me to hear the call of that love: Be converted!”

“You call me to bear fruit in a world in need of great healing. Guide me in this work. In a world of so much violence, teach me to sow peace. In a world of so much injustice, give me the wisdom and courage to bring your justice. In a world of so much suffering, make me an instrument of your mercy and healing. I know what I offer will be little, but I trust you will transform it to bring hope to this world.”

“Lord, you came into this world so that each one of us might have life in you and have that life abundantly. You are the God of Life who brings life out of our suffering, weakness, and even death.”

“Lord, give me eyes to see society as it truly is, both the good and the bad. Help me to judge the world around me by your truth and your Gospel, not by the aims of political groups or by my own comfort. And give me the courage to act on what I know is true.”

“Óscar Romero’s final words were a prayer for his people. His life was a gift of service, poured out to bring peace and justice to a world flooded by violence, selfishness, and injustice. He knew your love, Lord, and he saw the preciousness of every human life. He became a defender of the poor. What prayer can I offer for my people this day? What can peace and justice look like in my community?”

“Romero’s words and witness inspire me, but they are also challenging, even unsettling. I cannot simply remain where I am or as I am. I may be comfortable here, but this very day, I must take the next step in the journey toward you. Give me the courage and confidence to trust that your love will accompany me as I seek to share your peace and mercy in this world.”

“You call me this day and every day to turn to you with faith, hope, and love. You call me to see others as you see them: as my brothers and sisters. You call me to conversion.”

Each day follows the same format with three main sections:

MY DAY BEGINS: “As the day begins set aside a quiet moment in a quiet place to do the reading provided for the day

The passages are short; they never run more than a couple of hundred words. They have been carefully selected, though, to give a spiritual focus, a spiritual center to your whole day. They are designed to remind you, as another day begins, of your own existence at a spiritual level. They are meant to put you in the presence of the spiritual master who is your companion and teacher on this journey. This is especially true of this journey with Catherine of Siena. The readings are her report of God’s words to her, God’s side of the dialogue. And since the purpose of the passage is to remind you that at every moment during you are in the presence of a God who invites you continually, but quietly, to live in and through him, what better source than the words of God himself?”

ALL THROUGH YOUR DAY: “Immediately following the day’s reading you will find a single sentence, a meditation in the form of a mantra, a phrase meant as a companion for your spirit as it moves through a busy day. Write it down on a 3" x 5" card or on the appropriate page of your daybook. Look at it as often as you can. Repeat it quietly to yourself, and go on your way.
It is not meant to stop you in your tracks or to distract you from responsibilities but simply, gently, to remind you of the presence of God and your desire to respond to this presence.”

MY DAY IS ENDING: “This is a time for letting go of the day, for entering a world of imaginative prayer … This exercise is not meant to last more than a few minutes. End it when you are comfortable doing so. It has two parts. The first, in keeping with Catherine’s model, is a personal response to the words spoken by God in the day’s reading. Just as God has spoken to you, so you speak to God. Second, you are invited to turn to the familiarity of a prayer based on Catherine’s own words. It is an act of trust and confidence, an entryway into peaceful sleep, a simple evening prayer that gathers together the spiritual character of the day that is now ending as it began—in the presence of God.

It is a time for summary and closure.”

A sample day is:

DAY 13
 My Day Begins
 
Homily of the Funeral Mass for Fr. Rutilio Grande, Manuel Solórzano, and Nelson Lemus, March 14, 1977

The Church’s vision of liberation is first of all inspired by faith. And this is who Fr. Rutilio Grande was: a priest, a Christian who, through his baptism and priestly ordination, made a profession of faith: I believe in God the Father, revealed to us by Christ his Son, who loves us and invites us to love. I believe in a Church that is a sign of the presence of God’s love in the world, where people reach out to one another and encounter one another as brothers and sisters.

It is this light of faith that allows us to distinguish true liberation from the merely political, economic, or earthly liberations that remain trapped in ideologies, self-interest, or purely worldly aims. . . . The liberation that Fr. Grande preached is inspired by Christian faith—a faith that speaks of eternal life. And now he, with his face turned toward heaven and accompanied by two poor peasants, offers this faith in its fullness and perfection. This is the liberation that ends in joy, in God.

All Through The Day

Let us truly be a community of brothers and sisters to one another.

My Day Is Ending

St. Augustine once said that the Christian life is an “exercise of holy desire. You do not yet see what you long for, but the very act of desiring prepares you.” I desire so many things in this life, so many good things. It is easy to let the goods of this world become my ultimate desire. Yet, what I desire deeply shapes who I am and who I will become.

Christ tells us, “Seek first his kingdom and his righteousness, and all these things shall be yours as well” (Mt 6:33). Lord, help me to trust you enough to put you and your kingdom at the center of my life. Do not let me make a political ideology or a political program my god.

I know you call me to action in this world, action to serve others and build up my society. But help me to keep my faith at the center. Even as I do my work like Martha, let me be grounded in you like Mary. And ultimately, help me to never be satisfied by anything other than the love you have given to me.

Teach me to long for the fullness of joy that you have promised and the love that you have already given. Give me the strength to share that love and to build up your Church as a place where we can truly encounter one another as brothers and sisters who journey in, with, and toward you.”

I hope those quotes and sample day give you a feel for this volume. I have now read 18 books in this series from the 24 I believe have ever been in print. And this is one is an excellent addition to the series. I was really blessed by this volume I have recommended it to a number of friends. 

I have benefited from every volume I have read in the series and I have now completed more than half of them. I have now read 18 volumes in this series, and currently working on a nineteenth I can state this is another great offering in the series. I find that some speak to me more than others. I can state I benefited from the month with each person being profiled. If I went back and did a volume again at a different point or season in life I might interact with it differently. I already plan to circle back to the volume on Joan and some of the others and reread them once I have completed the series, and this would be towards the top of that list.

This is a great read, it is one I really enjoyed reading. I can easily recommend this volume, and the series as a whole, and I look forward to reading others in the series. If you have not given any in this series a try this would be an excellent starting point or whichever one seems to call to you.

Note: This book is part of a series of reviews: 2026 Catholic Reading Plan

Great Spiritual Teachers Series from Ave Maria Press

Books in the Great Spiritual Teachers Series:
Abide in love: the Gospel spirituality of John the Evangelist – John Kirvan 
Fear Not the Night - John of the Cross and John Kirvan 
God Awaits You Based on the Classic Spirituality of Meister - Richard Chilson 
Grace Through Simplicity - Evelyn Underhill and John Kirvan 
Love Without Measure - Mother Teresa and John Kirvan 
Where Only Love Can Go - The Cloud of Unknowing and John Kirvan  

Sunday, 31 May 2026

The Book Thief - Markus Zusak

The Book Thief 
Knopf Books for Young Readers
ISBN 9781862302914
eISBN 9780307433848
ASIN B000XUBFE2

9781862302914

Where to start; I have had a copy of this book for a while. So long in fact it was hard to find the edition I had on Goodreads. I have three teenagers at home they are currently between 15 and 19, the youngest is currently reading it, in school, and I am pretty sure I picked it up 4 or 5 years ago when the oldest also read it in school. I read a bit when I first got it but it fell off my radar. This year my youngest asked me to read it so she could bounce ideas off me as she was reading. She has done this often and I love the interactions. So I dug back in. Now, I do try and read a volume about the Holocaust every year, most are non-fiction, but occasionally they are. I can state I do not really enjoy this reading but believe it is important. 

While reading this for the first third I was sort of ‘meh’. The second third I had mixed feelings, but the end it made 5/5 stars which means ‘favourite or important reads’. My daughter has not caught up to me by the time of writing this review but took comfort in the fact that I appreciated the ending. 

This is a very moving story on many levels. I struggled with the swearing specifically the Lord’s name or Jesus, Mary and Joseph. When I fact checked this I found that it was historically accurate, but still troubling. The description states:

“When Death has a story to tell, you listen.

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.

Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. 

In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.”

The narrator being Death reminded me a lot of Pier’s Anthony’s Incarnations of Immortality Series specifically On a Pale Horse. And death being very droll, and funny and he often changed the mood by his observations and side notes, sort of breaking the fourth wall much like Deadpool. I cannot help but wonder about other tales featuring this incarnation of Death in Korea, Vietnam, Rwanda … But maybe we would need Death and the Devil side by side for some of those events after this story. But I am getting off track.

This is a most powerful story. It is the story of Liesel, their unexpected house guess, and the friends, family and people of her community as the war progresses. It is a story about love of words and books, and maybe finding life, but also a story of hating words because they give definition to what hurts and harms us. It is a story about addiction to reading, and after reading to writing. It is a story of loss on so many levels. 

If you are struggling while reading this, keep with it. It is worth it. I am writing this a week after finishing and still find it coming to mind often. And I might even give the film a try. But I can state that the book will stay with me for a long time, and even though that is not comfortable it is good. As such I can recommend this book. 

Books by Markus Zusak:
Bridge of Clay
I Am The Messenger
The Happy Prince and Other Stories
Three Wild Dogs
When Dogs Cry

Wolfe Brothers Series:
Underdog
Fighting Ruben Wolfe 
Getting the Girl
Underdogs Omnibus Edition 1-3

Contributed to:
I Met a Martian, and Other Stories
Love Hurts
The Book That Made Me
The Gifts of Reading
The Two Good Cook Book
This is Push


Saturday, 30 May 2026

Words from the Cross - Stephen C. Rowan

Words from the Cross 
Stephen C. Rowan
Pauline McGrath (Illustrator)
ISBN 9780896223547 
eISBN 089622354X

Words from the Cross - Stephen C. Rowan

I discovered this volume while searching for older Stations of the Cross from Twenty-Third Publications. The cover grabbed my attention and I tracked it down to give it a read. 

The description of this volume states:

“Here are seven of the most moving meditations on the final “words” of Jesus you will ever read and pray over. The author weaves historical background and biblical scholarship into an inspirational tapestry of Jesus’ final “ministry.”

You will feel how dehumanizing it was to be crucified. Your love for Jesus will deepen as never before. As you read and pray along with the insights into the nature and implication of Jesus’ death, you will be in awe of the salvific sacrifice of Calvary.

As you meditate on the final phrases of Jesus, you will gain new appreciation of each gospel writer's sensitivities and unique message about Jesus. You will reach new understandings of Jesus’ passion as you reflect upon those present at the crucifixion — the Roman soldiers gambling over Jesus’ garment, the taunting prisoner hanging on the cross next to Jesus, and, of course, the loving and constant presence of Mary.

And you won't be left on Golgotha alone and wondering after the crucified Lord breathes his last. These soul-searching reflections pave the way to examine modern day participaton in the same sinfulness that led to Jesus’ rejection and, ultimately, his execution. They also bear a consoling witness to ease the troubling anxiety caused by all the undeserved sufferings you see around you in today's world.”

About the author we are informed:

“Stephen C. Rowan is a priest of the Archdiocese of Seattle and a professor of English at Seattle University. His pastoral experience, his knowledge of scripture, and his love of language blend beautifully in this prayerful volume.”

about the illustrator:

“Pauline McGrath is a Dominican Sister from Ireland. Her dramatic illustrations of Jesus’ last words grace this book and grow from her personal experiences of suffering, pain, loss, and faith in a loving and saving God.”

The chapters in this book are:

Twenty-Third Publications

Introduction
FIRST WORD 
     “Father Forgive them.”
SECOND WORD 
     “Today you will be with me in paradise.”
THIRD WORD
     “Woman, behold your son!”
FORTH WORD 
     “My God, my God, why have you forsaken me?”
FIFTH WORD
     “I thirst.”
SIXTH WORD
     “It is finished.”
SEVENTH WORD 
     “Father, into your hands I commit my spirit.”

I highlighted numerous passages while reading this book some of them are:

“Reflections on the seven “words” that Jesus spoke from the cross are traditionally part of the Tre Ore service for Good Friday. That service, which is distinct from the liturgy for the day and consists of prayers, sermons, and reflective music, encourages an identification with the mind of Christ by focusing on his words from the cross as recorded by the evangelists.”

“These words of Jesus — and the cross itself — serve as touchstones of the Gospel, and for that reason they are offered to us as the words we need to hear and are waiting for.”

“I have drawn on the work of two contemporary theologians: on Karl Rahner for his reflections on how the Gospel words—like the truly poetic words they are—make the silent mystery present in an irreplaceable way, touch the heart of our deepest human concerns, and bring us together as a people united in our hearing of these words. From David Tracy I have learned how the Gospels as “classics” throw light on our contemporary experience and show something of the depths implied in it. They manifest what is so for us and, at the same time, they proclaim the relative inadequacy of our culture’s assumptions.”

“I hope that you, the reader of these reflections, will be encouraged to look for ways in which the wisdom of the cross addresses you. Although this book can easily be read in one sitting, perhaps you would prefer to take one word at a time, letting the word and the reflection on it prod the direction of - your own thoughts for a couple of days before returning to the following one.”

“To use a term we have invented in our time, the authorities want to make Jesus a non-person, someone with no history and no voice, with no effect on others that would detract from the power of the State, a blank where a name used to be.”

“Christian belief recognizes in Pilate's inscription the truth that Jesus is, indeed, a King. But Pilate did not intend a tribute to Jesus, but only contempt for Jesus and his people. This outlaw, he says, this non-person, this slave of Roman law is your king.”

“Jesus convicts the world of sin when he prays that we be forgiven, and, at the same time, through forgiveness he breaks the cycle of endless and senseless violence and opens for us a new future.”

“This is the cry of every humble human heart. It echoes our most fundamental human need: “Jesus, remember me. Let me know that I matter; give me a chance to begin a new life; help me to find that total well-being we call salvation.” Remember me! I have no reason for hope that I can create for myself, but I will not despair. Rather, I will count on the reason for hope that you have proclaimed through your life and brought you to the cross. “Jesus, remember me when you come into your kingdom.””

“And because Jesus is human to the full, we know that he understands everything that is truly human about us, including our fears, our weaknesses, our temptations, our loneliness, our many moral dilemmas, our need for God and for one another.”

“In the crucified Christ we have someone who understands how it feels to face a blank wall or to imagine himself trapped in a box or a cage. He knows that at those times you think that you are all alone and everyone else—including God—is getting along well enough without you. Jesus knows the washed-out feeling; the fear of never being able to get back to life; the horrible doubt that somewhere along the road of life you took a wrong turn and are too lost, now, for anything to matter. Jesus knows the isolated feeling of men and women who are divorced; of people who have deadened themselves with alcohol and drugs; of women who have been battered or even raped; of men who have been let go from work or who did not make the cut; of people who suffer bouts of depression and chronic physical disability.”

“Only if we understand this cry of anguish for what it truly is, as a real cry and as our cry, only then can we be prepared to trust that Jesus has found his way beyond our own greatest fears.”

“The work of Jesus is also one of care for the church and for humanity, giving them into the charge of one another so that after Jesus’ death each will have a home through his Spirit.”

“No wonder, then, that Jesus can say that his work is finished, that it has reached its goal. Jesus has transformed the meaning of the cross for all time. It is no longer merely an instrument of execution proving that the state must always have the final word. No, the cross is a sign of contradiction, overturning the verdict of the state and proving the world wrong about who has sinned and about what justice is. The cross cancels out the power of darkness by proving that the light shines on in the darkness and the darkness cannot overcome it.”

“The final words from the cross come from the Gospel of Luke, and they sum up Luke’s portrait of Jesus as the witness— the martyr—for the Kingdom of God.”

“We forget the word “sacrifice” means to “make holy” by giving it over to God.”

“When Jesus dies, he does so as head of his body the church. He goes before us, showing us the way. He is like the anchor of a boat thrown ahead into the deep and taking sure hold at a place we cannot see.”

I hope those quotes give you a feel for this volume. This was an excellent read. It was so hard to put down. But I decided to read each of the words one day at a time. As I worked through them it was fascinating to read the various meanings both short term and long term. As well as the implications to our own life and growth. The illustrations are excellent and can easily be used for visio divina.

This little volume is an excellent read. If it was still in print or available digitally there are at least a dozen people I would recommend it to. It was so good even though there appears to be overlap in subject I am looking to track down the other three volumes from Father Rowan.

A great read if you can lay your hands on it!

Note: This book is part of a series of reviews: 2026 Catholic Reading Plan

Books by Stephen C. Rowan:
In the Shadow of the Cross: The Seven Last Words of Jesus
Nicene Creed: Poetic Words for a Prosaic World
The Parables of Calvary: Reflections on the Seven Last Words of Jesus

Friday, 29 May 2026

A Midsummer Night's Dream Pelican Shakespeare - William Shakespeare

A Midsummer Night's Dream
William Shakespeare
Russ McDonald (Editor)
ISBN 9780143128588
eISBN 9780698410787
ASIN B0177AGOUA

A Midsummer Night's Dream Pelican Shakespeare - William Shakespeare

Six years back I started reading Shakespeare again, as my children were being introduced to it in High school. Then four years ago my son who is now 18 found he had a love for the Bard and for his plays, much as I did at that age. We had been sticking to the Oxford School Shakespeare editions as those were the versions they were reading in school, but my son decided to collect these Pelican editions because they are all available as individual volumes. We loved that the Pelican has the complete works of Shakespeare in individual volumes, and we have been picking those up to read, he gets the physical and I grab the eBooks. I loved that there are eBooks for all volumes in this series, because of a dual form of dyslexia. This year we picked up tickets for three Shakespeare plays at The Stratford Festival, including this play, we did three of the Bards plays each of the last few years well.

The Pelican Classics were among my favourite editions of the plays when I was a youth myself. I often hunted used bookstores for the hard cover edition. I think the last time I read this would have been about 35-40 years ago. And even though I have not yet seen a production it came back fairly quickly. The description of this edition states:

“This edition of A Midsummer Night’s Dream is edited with an introduction by Russ McDonald and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series.
 
The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.”

Based on the commonly accepted chronological order of Shakespeare’s plays this usually ranked as one of the last written believed to have been written in 1610-1611. The sections in this volume prior to the text of the play are:

Publisher’s Note
The Theatrical World
The Texts of Shakespeare
Introduction
Note on the Text
A Midsummer Night’s Dream

The publishers note states:

“IT IS ALMOST half a century since the first volumes of the Pelican Shakespeare appeared under the general editorship of Alfred Harbage. The fact that a new edition, rather than simply a revision, has been undertaken reflects the profound changes textual and critical studies of Shakespeare have undergone in the past twenty years. For the new Pelican series, the texts of the plays and poems have been thoroughly revised in accordance with recent scholarship, and in some cases have been entirely reedited. New introductions and notes have been provided in all the volumes. But the new Shakespeare is also designed as a successor to the original series; the previous editions have been taken into account, and the advice of the previous editors has been solicited where it was feasible to do so.

Certain textual features of the new Pelican Shakespeare should be particularly noted. All lines are numbered that contain a word, phrase, or allusion explained in the glossarial notes. In addition, for convenience, every tenth line is also numbered, in italics when no annotation is indicated. The intrusive and often inaccurate place headings inserted by early editors are omitted (as is becoming standard practice), but for the convenience of those who miss them, an indication of locale now appears as the first item in the annotation of each scene.

In the interest of both elegance and utility, each speech prefix is set in a separate line when the speaker’s lines are in verse, except when those words form the second half of a verse line. Thus the verse form of the speech is kept visually intact. What is printed as verse and what is printed as prose has, in general, the authority of the original texts. Departures from the original texts in this regard have only the authority of editorial tradition and the judgment of the Pelican editors; and, in a few instances, are admittedly arbitrary..”

And the introduction begins with:

“THEATER COMPANIES that find themselves in financial trouble often announce a production of A Midsummer Night’s Dream as a way to repair their sagging fortunes. It invariably sells tickets, and whether performed in a high-school Cafetorium or at the Royal Shakespeare Theatre in Stratford-upon-Avon, the play rarely fails to please the audience. Its predictable success owes something to the sure-fire last act, where the bad acting and excruciating verse of the play-within-the-play send people out of the theater in a jolly mood. A play in which inept amateurs perform a bad play is nearly indestructible, even when played by amateurs, and the ridiculous performance of “The most lamentable comedy and most cruel death of Pyramus and Thisby” is merely the ultimate delight in a constantly rewarding two hours in the theater. Shakespeare gives us what we want when we go to a comedy: foolishness, the triumph of love and youth, magic, poetry, laughter. But he also provides something we may not know we want, effects and meanings that distinguish the greatest comedy: these include an ironic awareness that the joys attained are necessarily costly, anxiety about the evanescence of the theatrical fantasy, and recognition that the world to which we must return is not so pretty. It is this combination of mirth and depth that makes A Midsummer Night’s Dream one of Shakespeare’s most enduring and meaningful comedies.”

Later we are informed:

“Finally, almost twenty percent of the text of A Midsummer Night’s Dream is in prose, spoken mostly by the “mechanicals,” and even in this medium Shakespeare produces aural effects seldom heard in English comedy to this point. The craftsmen plan their festival play and conduct the rehearsal in workmanlike, everyday prose, much of it studded with malapropisms and other blunders. And yet the poet employs the same simple materials to create, in the soliloquy in which Bottom recalls his night in the forest, one of the most delicate moments in all of Shakespearean comedy, a parody of a religious epiphany that manages to evoke the emotional potency of the real thing.

The poetic range – from lyrical to ludicrous – corresponds to and helps to produce the tonal diversity that makes the play so appealing. Most comedy moves toward an affirmative resolution, the happy ending that emphasizes reconciliation and the satisfaction of desire. Audiences rejoice emotionally in the marriage of young people with whom they have identified and sympathized. At the same time, however, most comedy diverts its audience with preposterous behavior, developing conflicts that imply separation, error, reversal, and frustration. Even as we anticipate a happy ending, we take pleasure in watching shenanigans, pretension, and the well-aimed custard pie. This tension amounts to a contest between the end and the middle: the resolution provokes laughter of satisfaction; the comic conflict, laughter of scorn. Looked at from another angle, this opposition may be regarded as a struggle between the claims of irony and romance. In The Defence of Poesy, written about 1580, Sir Philip Sidney applauded the representation of foolish behavior, asserting that comedy fulfilled the moral function of leading audiences to reject such action with dismissive laughter. Practicing playwrights, however, like their modern counterparts, knew that audiences liked to leave the theater feeling hopeful, comforted by the belief that obstacles could be surmounted and happiness achieved. Comic fiction almost always cultivates both kinds of response. Jane Austen, for example, rewards the reader of Pride and Prejudice with both the idiocy of Mr. Collins and Mrs. Bennet and the reciprocated affections of Elizabeth and Darcy.

A Midsummer Night’s Dream has proved hospitable to so many different styles of production because it makes available to the director and the audience an exceptionally broad range of potential response. The ending offers multiple satisfactions: three human marriages are celebrated in the final scene, the fairy king and queen are reconciled, Bottom and the mechanicals believe that their court performance is a triumph, and as the lovers go off to bed, the fairies enter the palace to bless the marriages. And yet the concord and the delight generated by the conclusion are counterbalanced not only by the embarrassing antics that the characters have displayed on the way to the final scene, but also by the playwright’s stimulation of doubt about whether joy at the happy ending is actually warranted. Shakespeare seems to challenge any easy and uncritical pleasure in the marriage of the four young people, the union of Theseus and Hippolyta, the reconciliation of the supernatural figures, and, most obviously, the achievement of the amateur thespians. What looks like a joyous romp turns out to have darker reaches. This disturbance beneath the surface becomes one of Shakespeare’s major themes in A Midsummer Night’s Dream as the audience discovers that everything is more complicated than it first appears, a principle that applies most significantly to the theater itself..”

The introduction concludes with:

“Such doubts about the nature of the real are confirmed by the play’s multiple endings. As the mechanicals wrap up their play, Theseus condescendingly announces the arrival of “fairy time” and sends the lovers off to bed with a closing couplet, thus signaling the end of the play. But the grand exit of the cast is followed by the entrance of Puck, who recites rhymed verses that seem to constitute a benediction. Then: Enter King and Queen of Fairies, with all their train. Their song and dance represent the final blessing of the house, and as they all sweep off the stage, Puck advances to address the audience directly, thus demolishing the boundary between stage and gallery. His epilogue, “If we shadows have offended,” speaks directly to the ontological problem of what we have seen. Does “shadows” refer to fairies or to actors? Both meanings are current in the sixteenth century. Is the audience being addressed by “Puck” or by the performer who has just finished enacting Puck? We have consented, for the previous two hours, to accept the stage action as reality, shadow as substance. Can we be sure that the world we have agreed to think of as real is anything more than a platform constructed for heavenly mirth? Where does the stage end and the world begin?

For all the laughter and pleasure that A Midsummer Night’s Dream generates, it also questions the validity and permanence of its affirmations. The human imagination produces as many nightmares as beguiling visions: or, in the words of the great Spanish painter Goya, “the sleep of reason brings forth monsters.” As the fairies bless the offspring of the wedded couples, we may uneasily recall the Ovidian sequel to the marriage of Theseus and Hippolyta: their son was the doomed Hippolytus, lusted after by his stepmother and ultimately regarded as a figure for the destructive power of passion. Even the delights of theatrical illusion are suspect. As Meredith Skura has argued, the affection and indulgence with which Shakespeare depicts Bottom will turn to self-loathing in the tragedies, where the player merely struts and frets his hour upon the stage, where imagination is self-annihilating, and where the world is so dark that illusion is always deceptive and usually fatal.* In the comedies, however, the harmonies and rewards of theatrical art are still available, and that is why, at this very moment, it is likely that A Midsummer Night’s Dream is now playing at a theater near you.”

This play comprises 5 acts and a total of 9 or 10 scenes, the play takes place over a roughly 4 days. It is interesting play. I enjoy reading it but have always had mixed emotions on productions of it. Some I have absolutely loved, and others I have not even finished. Because of my personal temperament I struggle with the disorder and confusion in the play, and more so when that became over done in productions. I do believe in the power of dreams and change. And much like Narnia I believe in a form of magic. In today’s world with AI and deep fakes this play almost become prophetic in the portrayal of the difference between appearance and reality. According to Goodreads there are over 5400 editions of this play. This Pelican edition is great for reading or study. 

I am glad I picked this up to read with my son before going to see a performance. It is one of the stories that really surprises readers. It reminded me how much I loved these editions when I was young and we have started collecting the eBook versions now. If you are looking for a good copy of the play to read or study I can easily recommend this edition.

Other Posts Related to Shakespeare:

Reviews of Stratford Shakespeare Productions:
The Tempest - Stratford Festival 2019 
Richard III – 2022
Hamlet – 2022
King Lear – 2023
Cymbeline – 2024
Twelfth Night – 2024
As You Like It - 2025 
The Tempest - 2026  
Something Rotten – 2026 
A Midsummer's Night Dream - 2026 
Othello - 2026 
...

Reviews of Shakespeare Movies:
Cymbeline – 2014

Books by Ted Neill:
Post Apocalyptic Space Shakespeare Series:
Othello
Twelfth Night
As You Like It
A Mid Summers’s Night Dream


All Pelican Shakespeare Individual Titles

Thursday, 28 May 2026

Spice of Life: And Other Stories - A.K. Frailey

Spice of Life: And Other Stories 
A.K. Frailey
A. K. Frailey Books
ISBN ‎9798994596555
eISBN 9798994596531
ASIN B0GXSVMB3N

Spice of Life: And Other Stories - A.K. Frailey

Every time I read something new from Frailey’s masterful pen I am amazing at her skill and talent as an author. I believe I have read he works a total of 18 times and have the one series I have not read on my ‘to be read’ pile. This is an incredible collection of 49 stories. But I am getting ahead of myself.

I have read much of Ann’s work; her fiction and non-fiction. I always look forward to when a new title is available from Frailey and this one I handled a little different. Normally I devour her books, but I took my time with a handful of stories a day. Many of the stories tie to her series, and they are like a visit with old friends, or in some cases newer acquaintances.  

The beginning of the description of this volume states:

“A diverse collection of short stories, ranging from humorous ordinary day situations to moments of poignant reevaluation of self and others in a world of changing perspectives. Contemporary family fiction, a touch of fantastic fantasy, a new dramatic moment from the Newearth universe, and a novella where humanity's sanity hangs in the balance offer a menu with enough spice to satisfy any literary longings. It is the hazards of daily life that test the soul. Nobility, bravery, decency, kindness, and mercy are the shafts of light that pierce the darkness of the human experience. Drama and personal crisis amid the realities of family life make for relatable stories. Find hope through the struggle. All the excitement of a novel experience in compact short stories, contemporary lives moving through dark trials to light and hope. Take a seat and dig in, a feast awaits!.”

About the author we are informed:

“A. K. Frailey has written the historical sci-fi OldEarth Encounter series, a contemporary first contact novel, Last of Her Kind, the Newearth sci-fi series, an OldTown series, short story collections, a modern parent’s reflection on J. R. R. Tolkien’s works in The Road Goes Ever On: A Christian Journey Through The Lord of the Rings, personal and introspective My Road books, children’s books, and a poetry collection. 

She taught elementary education in Milwaukee, WI; Chicago, IL; Los Angeles, CA; and Wood River, IL.

She also trained teachers in the Philippines for the Peace Corps and later earned a Master of Fine Arts Degree in Creative Writing for Entertainment from Full Sail University.

Ann homeschooled all her children and currently manages her rural homestead with her family and their numerous critters. In her spare time, she serves as an election judge and secretary/treasurer of her small town’s cemetery.

I am always intrigued by how the About the Author second can change or not from book to book, or even series to series. This is a longer more detailed bio and it fits well with the diversity in the stories. The stories in this collection are:

Off the Ground
Seek High Ground
How Do You Stand It?
An Antidote
Find Anything Good
Is This Necessary?
A Gentleman’s Agreement
Unbroken
On a Sandy Shore
Reflection in Glass
An Auspicious Moment
Of Our Own Making
To Keep the Old Ways
The Only Thing Keeping Me Alive
What an Odd Day
Something New Might Grow
Then He Saw
Orientation
Nourishing His Spirit
I Must Be Mad
Willful Intention
Honest Perspective
How Derm Got Involuntarily Volunteered
How Andy’s Secret Changed His Life Forever
How Elspeth Gillis Discovered the Truth about Her Reflection
Kinship with Owls
Spice of Life
Wiley Could Not Believe His Eyes
What Does It Mean?
What Should Be
Grandma Hazel’s Chevy
Mystery to Herself
She Would Fly
Learn Anything Useful?
The Veil
Thought Reader
Witty & Sly
Live to Regret It
The Power of Small
Some Need the Shade
Sunrises Assure Us
Power Source
Outside His Element
Matters Even More
The Human Race
House of My Dreams
Unforgettable
Bruno’s Newearth
Omega’s Paradox

It is still surprising to me how Frailey’s stories can touch such a deep cord across so many genres. I have said it before and I say it again she reminds me so much of Madeleine L'Engle and crossing over from real time or Chronos to Kairos, from homey small town, to intergalactic save the galaxy. And everything in between. 

A few of the stories really struck me. First the final piece Omega’s Paradox in continues one of my favourite series from Frailey’s pen and is cathartic on a number of levels. The offering House of My Dreams was deeply moving. Outside His Element really made me pause and think. The title story Spice of Life connecting to a newer series and is an excellent offering. But as mentioned every story is well worth the read.

I could not read when I was younger because of dual form of dyslexia. When I did learn to read I found all these worlds I never knew existed. And I have been addicted to reading since. Frailey has created many worlds and each is worth visiting. In this volume we meet new friends, visit with old friends, and encounter some for the first time. It is an excellent collection and I could see myself returning to it from time to time and randomly read a story or 2.

This is an excellent collection of stories. I can easily recommend it and guarantee there is something for everyone! Pick it up and give it a try I am certain you will not regret it! 

Note: This book is part of a series of reviews: 2026 Catholic Reading Plan!

Books by A.K. Frailey:

Old Earth Series:
OldEarth ARAM Encounter
OldEarth Ishtar Encounter
OldEarth Neb Encounter
OldEarth Georgios Encounter
OldEarth Melchior Encounter

New Earth Series:
NewEarth: Justine Awakens
NewEarth A Hero's Crime

Oldtown Series:
Brothers Born

Wise Home Series:
Wise Home on Lily Pad Pond

Non-Fiction:
My Road Goes Ever On A Timeless Journey

Note: Old series that got reworked into other series:

Deliverance Series:
ARAM
Ishtar's Redemption: Trial by Fire
NEB the Great: Shadows of the Past

Hidden Heritage Series:
Georgios
Georgios II - A Chosen People


Wednesday, 27 May 2026

Amelia Counterrevolution - edited by Clayton Barnett - Tales from the Lemurverse Anthology Two

Amelia Counterrevolution 
Tales from the Lemurverse Anthology Two
Clayton Barnett (Editor)
3-AR Studios
ISBN ‎ 9780997991321
eISBN 9780997991338 
ASIN B0GTYQ21PX 

Amelia Counterrevolution - edited by Clayton Barnett - Tales from the Lemurverse Anthology Two

I do not recall how I stumbled upon this anthology, I believe it was on social media somewhere. But the title and cover grabbed my attention. I picked it up without reading the description, and to be honest had missed the whole meme thing. But it was so worth the read. I was aware of 2 of the authors before reading this, 1 of whom I have picked up a couple just not got to them yet. One of the things I love about anthologies is being introduced to new authors, and that definitely happened. Another thing I love is short form fiction is a very different art form than writing novels. And this work has a few different styles of short fiction. For a story that is just a few paragraphs to one that is a number of pages long. And to be honest I enjoyed each and every one of them! But I am getting ahead of myself, back to the volume at hand. 

The description of the anthology states:

“The UK gambled.

The UK lost.

The right people won.

That didn't backfire at all.

In a critical moment for British society, the UK government created, not a video game, but a propaganda tool intended to prevent youth from being "radicalized." In the most stunning of unintended consequences, that game introduced to the world Amelia, now a digital icon for the conservative ideas the creators feared as having too much influence.

Amelia appeared in the UK, but her appeal is worldwide, and she has appeared in Spain, France, Italy, Germany, Sweden, and the US. She provides an international symbol for anyone who wishes to stand for individual liberty and the rights of the nation-state against the surveillance society which threatens to overrun us.

Amelia: Counterrevolution is an anthology of Tales from the Lemurverse, celebrating irony, farce, and the embrace of Western civilization, culture and history that the Amelia meme has now triggered world-wide. In Amelia: Counterrevolution, readers will find a varied, entertaining approach to the latest internet phenomenon.”

The contributors are:

Cato Minor
Clayton Barnett
Murray Eiland
Melinda Gorman
Grathew
Joseph Isenberg
L. Jagi Lamplighter
Page Zaplendam
 
The stories are:

That Didn’t Backfire at All – Cato Minor
Catch the Light – Murray Eiland
The Lion Awakens – L. Jagi Lamplighter
“Revolution Calling” – Clayton Barnett
Backfire – Page Zaplendam
Stop Staring – Murray Eiland
Twilight’s Last Gleaming – Page Zaplendam
The Girl in the Holograph – Joseph Isenberg
Amelia’s Travelogue, Part 1 – Melinda Gorman
The Rose’s Thorns – Grathew

At the beginning of the volume is QR codes to take you to the contributors. And the end are brief biographies. I would have preferred if the QR codes on the digital edition were just links. But for those using mobile or physical copy it will work well. Before the text begins is a quote:

“Still more majestic shalt thou rise,
More dreadful, from each foreign stroke;
As the loud blast that tears the skies,
Serves but to root thy native oak.

"Rule, Britannia! rule the waves:
"Britons never will be slaves." 
- “Rule, Britannia” ~ James Thomson, 1740”

And then the editor’s forward states:

“Once upon a time, there was the Science Fiction and Fantasy Group on a social media site called Gab. There, various oddballs could gather and exchange outlandish ideas. Over time, it was agreed that face-to-face was needed, and the Imaginarium Convention in Louisville, Kentucky, was chosen.

Two the first year, three the next, five the third, and now a swarm, unofficially, the name Lemurs, from Mister Isenberg, was chosen for our writing circle.

At the end of that third year, I suggested we make an anthology of our very disparate works, highlighting our own styles. To not have things off in five different directions, I proposed a common theme, which is the title of that first collection.

We had started a second anthology, but in January 2026, a meme of videos and music exploded into a niche of popular culture: Amelia. A supposed antagonist in a visual novel of UK government propaganda, the character “broke containment” and is changing culture and minds. It behooved us to nail ourselves to that comet’s tail while it is still in the sky.

Edited first by me and copyedited by Stephen Zimmer, I finally stuck a fork in this project.

Still wildly divergent, the theme knits these works together. I hope you, the reader, will enjoy getting to know this amazing young woman.”

The first piece sets the stage. Cato writes:

“Imagine if you worked at Shout Out UK, an organization supposed to educate youth. Your assignment is to create a game to propagandize them instead. It is essential that youth accept all decisions from the government. Even though it is clear the government of the United Kingdom is a monarchy, questioning immigration policies, going to protests, or even waving the Union Jack undermines democracy.

The game should have been a success. It casts a villain, a character called Amelia. She was supposed to be racist, xenophobic, Islamophobic, and a hateful character. Only, she wasn’t. She said only reasonable things that most Britons agree with. Her initial complaint was immigrants aren’t assimilating into English culture, but instead take jobs and opportunities from British citizens.

It was a mistake to make Amelia a sympathetic character to those on the English right since she shares their beliefs. She is not hateful. She doesn’t try to get the game player to commit any terrorist acts against the immigrant community. She merely speaks her mind and complains about immigrants not assimilating.”

Thus we have our protagonist, Amelia reminds me a lot of Chloe in Cedar Sanderson’s Groundskeeper Series. And her description reminds me of a co-worker with the same name and the descriptions are not far off either. In this volume we encounter a number of iterations and interpretations of Amelia, from natural home grown patriotic youth, to a synthetic whose programming is manipulated to rather unexpected results.

Many of the pieces are stand out stories. One of my favourites if L. Jagi Lamplighter’s The Lion Awakes. It ties so well to other favourite books I have read over the years. The Girl in the Holograph by Joseph Isenberg was particularly moving. Catch the Light is a splendid story in verse. Barnett’s offering is an intriguing piece. But I can easily state each story was worth the read. 

I also really appreciated the +JMJ+ dedication by the editor. Prior to reading this collection I had only read 1 story in another anthology by L. Jagi Lamplighter. But I did have 2 of the authors in my ‘to be read’ pile, after reading this collection a few of the others are now on that list. I picked up the first Lemurverse collection even before I had finished this one! This is an excellent anthology, that I can easily recommend. 

Book in the Tales from the Lemurverse Series:
In the Midst of a River
In the Midst of a River - edited by Clayton Barnett - Tales from the Lemurverse Anthology One

Amelia Counterrevolution - edited by Clayton Barnett - Tales from the Lemurverse Anthology Two